“Theatricality does not manifest itself in any obligatory fashion. It does not have any qualitative properties that would permit our identifying it beyond any shadow of doubt. It is not an empirical given. Theatricality is authorized by the placing of the subject with respect to both quotidian and imaginary dimensions, the latter being founded upon the presence of the other’s space. To see theatricality in these terms poses the question of its own transcendent nature.”[10]
Love,
Diego
[10] “Theatricality. The Specificity of Theatrical Language.” Josette Fèral. Sub-Stance 2002, # 98/99, Vol. 31, nos. 2 & 3, pp. 94-107.
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