“It’s like going back to the seventies when the great experimenters of theatre were doing their crazy stuff, but which in the play ‘El Infierno o el nacimiento de la clínica’ (...) there are no great surprises, only imitations overlapped one on top of each other; mental ideas without dramatic concretion; discourses and descriptions; performances sowed together without producing a trama (and not in the anecdotic sense, but in the one used by Eugenio Barba), because it’s not enough to talk about the body and about illness to create a play.”[4]
Love,
Diego
[4] “Vanguardia Trasnochada.” Critique by Estela Leñero. Proceso, February 24th 2008.
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