“It’s about making the bodies and the spectator go through an experience even if there is a physical distance. It’s about abolishing the distance without dramatizing, because when you do it, common places arise. No one knows what sadness is, it is composed of a bunch of things; but when you name it sadness you’ve already broke with that, it’s a common place. It is all about showing it in all its complexity, pain and joys -because it will also have some of those-... if the spectator has the experience of sadness, it is very different of having the concept of sadness.”[2]
Love,
Diego
[2] “El Nacimiento del Infierno”. Interview to Rubén Ortiz. Uno Más Uno, Sunday supplement. February 9th, 2008.
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