“Agressive images, the despersonalization of the bodies, the elimination of every erotic content whatsoever and a tendency to the disgusting dominate the play. (...) The actors see, to work under a self-destructive frenesi and a naïve command that tends to eliminate their essential function, that is their capacity of metaphorizing reality through their acts, creating an expressive poetic, a meta-theatrical reality.”[5]
Love,
Diego
[5] “Tendencia a lo desagradable.” Critique by Bruno Bert. Tiempo Libre. December 6th-12th, 2007.
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