“Since the advent of German Romanticism, the concept of theatre has been associated with the idea of the living community. Theatre appeared as a form of the aesthetic constitution--meaning the sensory constitution--of the community: the community as a way of occupying time and space, as a set of living gestures and attitudes that stands before any kind of political form and institution; community as a performing body instead of an apparatus of forms and rules. In this way theatre was associated with the Romantic notion of the aesthetic revolution: the idea of a revolution that would change not only laws and institutions but transform the sensory forms of human experience.”[9]
Love,
Diego
[9] “The emancipated spectator.” Jacques Ranciere. Opening of the Fifth International Summer Academy of Arts in Frankfurt, August 20th, 2004.
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