“Something important concerning objects in conventional theatre is that they have to work as symbols of something, you see a dove and it is peace. Here objects have to work for what they are, by the way they are inserted in the body, by the way they cause actions and reactions from the body and as you said it, because they already have a history, that’s why we don’t have to over-illustrate, we don’t have to symbolize anything (...) We de-symbolize and let the body show its own reactions; it’s something fine artists know because they work on materiality.”[1]
Love,
Diego
[1] “El Nacimiento del Infierno”. Interview to Rubén Ortiz. Uno Más Uno, Sunday supplement. February 9th, 2008.
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